Visceral on-location narrative direction, virtual LED volume ICVFX, and 35mm photochemical texture.
We eliminate traditional agency layers, account managers, and markups. You interface directly with principal directors, colorists, and AI system engineers with transparent Frame.io C2C review pipelines.
One lead creative director owns vision from script and pre-visualization to final Dolby Vision theatrical conform.
Raw camera takes stream from on-set 5G/Starlink transmitters directly into your review app in under 15 seconds.
All custom LoRAs, generative weights, and scripts run inside isolated environments with guaranteed zero public leakage.
Conformed to Dolby Atmos 9.1.6, ACES 2065-1, EBU R128 loudness, and uncompressed Apple ProRes 4444 XQ masters.
Capturing authentic athletic movement and human emotion using lightweight ARRI cinema systems, vintage high-speed prime optics, and organic 35mm film stock photochemical emulation.
Curved LED stage environments rendered in real time. Nanite virtualized geometry and Lumen real-time global illumination project natural light bounces directly onto the actors' skin and physical sets.
End-to-end telemetry from discovery photogrammetry to final theatrical DCP delivery.
High-fidelity environment photogrammetry and real-time optimization in Unreal Engine 5.5 for high-frame-rate LED volume playback.
Color profiling using OpenColorIO to ensure LED wall spectral output precisely matches ARRI REVEAL Color Science sensors.
Shooting on stage with real-time camera tracking and live gaffer DMX lighting integration with virtual light cards.
Scene-by-scene photochemical grading, Dolby Vision HDR mastering, and uncompressed ProRes 4444 XQ delivery.
Speed to Screen
Global Impressions
In-Camera Final Pixels
Theatrical Views
Budget Efficiency
“From high-impact commercial cinema to virtual studio feature productions, our film unit unites physical optical glass with real-time digital volume stages. We combine ARRI ALEXA 35 Super 35 capture with Unreal Engine 5.5 in-camera visual effects (ICVFX), delivering photorealistic parallax and genuine atmospheric lighting in-camera.”
ARRI ALEXA 35 / ALEXA Mini LF
Zeiss Super Speed T1.3 / Cooke Anamorphic
Unreal Engine 5.5 nDisplay Multi-GPU
ARRI LogC4 / ACES 2065-1 OCIO
Precision PTP Master Genlock Clock
4K DCI 24fps / ProRes 4444 XQ