“A high-velocity editorial cut balancing 80 hours of raw racing rushes into an unrelenting widescreen broadcast master with rich 35mm film tonality.”
Managing 24 concurrent camera angles across changing track weather conditions, harsh midday sun glare, and deep pit-lane shadows under an uncompromising broadcast deadline.
Our editorial team unified the multi-cam timeline in DaVinci Resolve Studio, isolating dialogue stems from track noise, reconstructing high-speed 120fps slow-motion moments, and grading in Dolby Vision HDR10+.
4.8x Faster Delivery
99.4% Dialogue Clarity
Dolby Vision Theatrical Master
Supervising Editor: Sarah Jenkins • Senior Colorist: Damien Cruz
Sony Venice 2 + Angénieux Optimo 28-76mm & 15-40mm Cine Zooms
DaVinci Resolve 19 Studio • ProRes 4444 XQ • Dolby Vision HDR10+
DaVinci Resolve Studio • ProRes 4444 XQ • Dolby Vision • ACES 2065-1 • Avid Media Composer